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CONSCIOUSNESS EXPLAINED -- A METAPHORCONSCIOUSNESS EXPLAINED — A METAPHOR

BY H.ASIF

Introduction

Consciousness, in its intricate dance of perception and self-awareness, is a phenomenon that has long eluded comprehensive understanding. Its essence is so subtle, so profoundly nuanced, that it often slips through the grasp of purely analytical approaches. To capture its richness and complexity, we must turn to metaphor and analogy, tools that allow us to paint a vivid, multi-dimensional picture of the mind’s workings. It is within this context that I present the “Humm Model of Consciousness,” a detailed metaphor designed to elucidate the complex interplay of sensory modalities and the formation of a unified conscious experience.

Imagine consciousness as the resonating hum of a sheath stretched across the edges of a drum shaped in human bodily form. This metaphorical sheath, representing our somatosensory field, vibrates in response to the myriad stimuli of the world. The drum itself is our body, a vessel finely tuned to the symphony of sensory inputs. The hum that emanates from this drumhead symbolizes the baseline internal state, the primordial self—a constant background sense of being that pervades our existence.

The use of this metaphor is not merely poetic but essential. Consciousness is a tapestry woven from countless threads of sensory information, emotional undertones, and cognitive reflections. By envisioning it as a drumhead alive with a constant vibrating hum, we can better appreciate how different sensory experiences—touch, vision, hearing, taste, and olfaction—interact and coalesce to form a singular, cohesive awareness. This model provides a scaffold upon which we can explore the dynamic, fluid nature of consciousness, where sensory inputs continuously influence and reshape our internal field of sensation.

In presenting the Humm Model, I draw inspiration from the work of many important authors and researchers in the field neuroscientist  especially those who emphasize the profound integration of emotional and sensory experiences in the formation of consciousness. By anchoring our understanding in a rich, multi-sensory metaphor, I have tried to create a bridge between the abstract nature of conscious experience and the tangible processes of the brain. This approach not only enhances our comprehension but also honors the depth and complexity of the human mind.

Core Elements

Drumhead Structure

At the heart of this model is the human body-shaped drum with a metaphorical sheath representing the somatosensory field. This sheath, stretched taut over a drum, forms the canvas upon which sensory experiences are painted. The high-frequency hum that emanates from this drumhead symbolizes the baseline internal state, the primordial self, an ongoing background sense of being. The sheath is almost alive with a constant vibrating background hum.

Sensory Representations

The stretched, humming sheath hosts various particles and elements that respond to different sensory stimuli:

Touch: White sand particles scattered across the sheath react to tactile stimuli. When touched, these particles gather and move, informed not only by the external tactile stimuli but also by the background vibration existing on the sheath. Different patterns form, symbolizing the perception of touch.

Vision: Reflective particles near the head area act as mirrors, capturing and reflecting light to represent visual stimuli. These tiny particles form patterns due to the inside hum, creating visual reflections of their own and reflecting external stimuli. Visual perception thus becomes a dance between the particles’ inherent patterns and the external visual inputs.

Hearing: Small chiming beads on the sheath create sound, representing auditory experiences. Vibrations from external sounds cause these beads to move and produce corresponding chimes, blending internal and external auditory stimuli.

Taste: Small, colored granules on the surface react to chemical stimuli, analogous to taste. These granules mix colors and change patterns when exposed to different tastes, symbolizing the flavor experience.

Olfaction: Fine, fragrant particles disperse and move in response to odor stimuli. These particles spread out or cluster together to signify different smells, integrating the olfactory experience into the overall hum.

Unified Conscious Experience

The interplay of these sensory elements creates a dynamic, ever-changing field of sensation. The constant high-frequency hum represents the ongoing, unified sense of self, while the various sensory modalities interact on the drumhead, each influencing the others and contributing to the overall conscious experience.

Qualia as Changes

Qualia, the subjective experiences of sensory perceptions, are depicted as specific patterns of change in the particles on the sheath. Each sensory modality creates distinct changes that, together, form a cohesive conscious experience.

Philosophical and Neuroscientific Integration

Philosophical Perspective

The Humm Model of Consciousness captures the unity of conscious experience while accommodating the diversity of sensory inputs. It emphasizes the dynamic, fluid nature of consciousness, where different sensory inputs continuously influence and reshape the internal field of sensation depicted by the constant background hum. This background vibration provides not only the canvas but the substrate on which all sensory modalities play their patterns.

Neuroscientific Perspective

From a neuroscientific standpoint, this model serves as an analogy for the neural networks extending from the periphery to the center in the brain, giving rise to the most primordial aspect of self, which is ever-present. Each type of particle (sand, reflective, chiming, colored granules, fragrant particles) represents different neural pathways and processing centers. The interactions on the drumhead mimic the brain’s integrative processes, where different sensory modalities converge and influence each other, leading to a unified conscious experience.

Conclusion

The Humm Model of Consciousness provides a rich, multi-sensory metaphor that effectively represents the complexity of conscious experience as it emerges from the background of a somatoaffective( this is my own coinage) state into which touch, vision, hearing, taste, and olfaction are further incorporated. This model not only visualizes how changes in an internal field of sensation produce diverse and unified experiences but also bridges philosophical concepts and neuroscientific principles, creating a holistic understanding of the human mind.

References

Krauzlis, R. J., Lovejoy, L. P., & Zenon, A. (2013). Superior colliculus and visual spatial attention. Annual Review of Neuroscience, 36(1), 165-182.
Merker, B. (2007). Consciousness without a cerebral cortex: A challenge for neuroscience and medicine. Behavioral and Brain Sciences, 30(1), 63-81.
Northoff, G. (2013). The Spontaneous Brain: From the Mind–Body to the World–Brain Problem. The MIT Press.
Vogeley, K., & Fink, G. R. (2003). Neural correlates of the first-person perspective. Trends in Cognitive Sciences, 7(1), 38-42.
Linnman, C., Moulton, E. A., Barmettler, G., Becerra, L., & Borsook, D. (2012). Neuroimaging of the periaqueductal gray: State of the field. NeuroImage, 60(1), 505-522.
Benarroch, E. E. (2012). Periaqueductal gray: An interface for behavioral control. Neurology, 78(3), 210-217.
Angelaki, D. E., & Cullen, K. E. (2008). Vestibular system: The many facets of a multimodal sense. Annual Review of Neuroscience, 31(1), 125-150.
Lopez, C. (2013). The vestibular system: Balancing more than just the body. Current Opinion in Neurology, 26(1), 74-79.

 

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